How Berlin Became a City for Graffiti

How Berlin Became a City for Graffiti

Berlin, a city whose walls tell stories, is well known for its street art and graffiti culture. But how did it all begin, and how has it transformed over time? Discover the full story in The Game Magazine and explore striking images through the IMAGO archive.

Berlin Graffiti
IMAGO / Günter Schneider | Graffiti on the Berlin Wall reading “THE END”, photographed in 1990.

Berlin has emerged as a global hub for graffiti, a city where the walls themselves tell stories of the city, its people, its resistance, unity, and artistic expression. But the transformation did not happen overnight and is the result of a unique confluence of historical events, cultural shifts, and social dynamics that have shaped the city’s identity.

Historical Roots: Berlin Wall and the Birth of Graffiti Culture

The modern Berlin graffiti culture traces its origins to the Cold War era, particularly with the construction of the Berlin Wall in 1961. The Wall, dividing East and West Berlin, became an iconic canvas for political dissent and artistic expression. As early as the 1970s, graffiti began to appear, with artists using the Wall to voice their opinions and to express their personal and political beliefs.

One of the pioneers was Thierry Noir, whose bold, colorful figures transformed the Wall into a symbol of defiance and hope. This era laid the foundation for Berlin’s graffiti culture and made the city known for street art that carries deep political and social messages.

Post-Reunification: A New Era of Street Art

The fall of the Berlin Wall in 1989 was an important moment for the city’s graffiti scene. The reunification of Berlin brought together artists from both sides of the city and led to a flourishing of creativity. Previously, desolate areas in East Berlin, such as Friedrichshain and Mitte, became vibrant canvases for large-scale murals and diverse graffiti styles.

The East Side Gallery, a preserved section of the Berlin Wall, became an international symbol of freedom and artistic expression. Featuring over 100 murals, it remains one of the largest open-air galleries in the world.

Berlin Graffiti
IMAGO / Kundel-Saro | The Graffiti “Tolerance” by Mary Mackey on the Berlin Wall, photographed in 1990.
Berlin Graffiti
IMAGO / Kundel-Saro | The Graffiti “Marionetten eines abgesetzten Stücks” by Marc Engel, photographed in 1990.
Berlin Graffiti
IMAGO / Kundel-Saro | A graffiti on the Berlin Wall depicting a path leading to the industrial city of Berlin.
Berlin Graffiti
IMAGO / Kundel-Saro | Susanne Kunjappu-Jellinek’s graffiti “Curriculum Vitae” on the Berlin Wall, photographed in 1990.
Berlin Graffiti
IMAGO / Gerhard Leber | The Berlin Wall with street art on it, photographed in front of the Brandenburg Gate in 1989.
IMAGO/piemags
IMAGO / piemags | A view of The Berlin Wall separating East and West Germany, with graffiti on the West Berlin side and a clean, unmarked East side.
Graffiti
IMAGO / Rolf Zöllner | Graffiti on the Berlin Wall between Gropius Bau and Check Point Charlie, featuring the artwork “GitterKopf” and a round grid window, photographed in 1990.
Dmitry Vrubel’s graffiti
IMAGO / United Archives | Dmitry Vrubel’s graffiti “Mein Gott, hilf mir, diese tödliche Liebe zu überleben” on the Berlin Wall depicting Leonid Brezhnev embracing Erich Honecker.
A photo of a graffiti in berlin
IMAGO / Steinach | A bicycle in front of a stencil depicting a seated girl on a wall in Reinhardtstraße, Berlin.

Cultural Significance and Social Impact

Berlin’s graffiti culture has grown into a significant part of the city’s cultural landscape, influencing not just the art world but also fashion, tourism, and local identity. The city has embraced this art form by organizing street art festivals and offering guided tours, which have become major attractions for visitors.

Legal graffiti walls in Berlin allow artists to create without the risk of prosecution, fostering a unique environment where street art can thrive. This permissive approach has solidified Berlin’s reputation as a global center for graffiti, attracting artists and enthusiasts from around the world​.

Despite its cultural importance, graffiti in Berlin is still a topic of debate. The line between art and vandalism is often blurred, especially as the city undergoes gentrification. While some view graffiti as a vital form of self-expression and a cultural asset, others see it as a challenge to urban cleanliness and property rights. This debate ensures that Berlin’s graffiti culture remains dynamic and ever-evolving, reflecting the city’s complex and multifaceted identity​.

Berlin graffiti culture is more than just an artistic movement; it is a reflection of the city’s turbulent history, its resilience, and its ongoing transformation.

See IMAGO photo collection for Berlin Graffiti Culture here.

imago/imagebroker
IMAGO / imagebroker | Blu’s mural of two figures unmasking each other while holding up “east” and “west” side gang signs in Kreuzberg, Berlin, photographed in 2014.
Berlin wall street gallery
IMAGO / Photo 12 / André Crudo | After the Fall of the Berlin Wall in November 1989, Berliners and visitors from around the world gather to celebrate their newfound freedom and attempt to take a piece of the Wall as a memento.
Test the Rest graffiti
IMAGO / imagebroker / Mara Brandl | Birgit Kinder’s world famous artwork “Test the Rest” showing a “Trabi” driving through the Wall, photographed in 2019.
Kreuzberg graffiti
IMAGO / Travel-Stock-Image | A mural on a firewall in Kreuzberg by the Italian artist Blu, photographed in 2013.
A graffiti of Jack Nicholson in Kreuzberg
IMAGO / Travel-Stock-Image | A graffiti of Jack Nicholson in Kreuzberg, Berlin, photographed in 2013.

Credit for the cover photo: IMAGO / Sven Simon

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